Best compact cameras: five picks for every kind of shooter
Our pick of the best compact cameras for UK photographers, from pocketable street shooters to long-zoom travel models and vlogging all-rounders.

In this article
The quick answer
If you want one small camera that covers as much as possible, buy the Sony Cyber-shot RX100 VII. It has a 24-200mm zoom, a pop-up viewfinder and fast autofocus, and it still drops into a coat pocket.
If your priority is something you can carry every single day, the Ricoh GR III is the one — an APS-C sensor in a body barely bigger than a phone. For the pleasure of shooting with proper dials and a hybrid viewfinder, the Fujifilm X100VI is the enthusiast's choice. Vloggers should look at the Canon PowerShot G7 X Mark III, and anyone who spends their holidays zooming into distant detail wants the Panasonic Lumix TZ200.
None of these are cheap, and none of them beat a modern phone on convenience. What they give you is optical zoom, better low-light files, real controls and a screen you can actually see in sunlight.
How the five compare side by side
These two tables cover the specs that actually change how you shoot — sensor size, lens range, viewfinder and video. Everything else is detail.
The three all-rounders compared
| Specification | Sony RX100 VII | Ricoh GR III | Fujifilm X100VI |
|---|---|---|---|
| Sensor | 1-inch stacked CMOS, 20.1MP | APS-C, 24.2MP | APS-C, 40.2MP |
| Lens (35mm equivalent) | 24-200mm f/2.8-4.5 zoom | 28mm f/2.8 fixed | 35mm f/2 fixed |
| Viewfinder | Pop-up electronic | None | Hybrid optical/electronic |
| Stabilisation | Optical, in-lens | Sensor-shift | In-body, up to 6 stops |
| Video | 4K, mic input | Full HD only | 6.2K |
| Best for | One camera for everything | Street and everyday carry | Enthusiasts who want a viewfinder |
Vlogging and travel-zoom options compared
| Specification | Canon G7 X Mark III | Panasonic Lumix TZ200 |
|---|---|---|
| Sensor | 1-inch, 20.1MP | 1-inch, 20.1MP |
| Lens (35mm equivalent) | 24-100mm f/1.8-2.8 | 24-360mm f/3.3-6.4 |
| Screen | Flip-up touchscreen | Fixed touchscreen |
| Viewfinder | None | Pop-up electronic |
| Video | 4K, mic input, live streaming | 4K, no mic input |
| Best for | Vlogging and social video | Travel and distant subjects |
The five best compact cameras
Best overall
Sony Cyber-shot RX100 VII
The RX100 VII is the closest thing to a do-everything compact. The 24-200mm lens covers wide scenes and distant detail, the pop-up electronic viewfinder is genuinely usable in bright sun, and the autofocus tracks moving subjects far better than most pocket cameras. Add 4K video, a microphone socket and a body that slips into a jacket pocket and it is hard to argue with.
The compromises are the 1-inch sensor, which runs out of headroom indoors sooner than the APS-C models here, and the price — you are paying for engineering rather than sensor area. The controls are also small and fiddly if you have large hands.
What we like
- Genuine 24-200mm reach from a pocketable body
- Pop-up viewfinder makes framing easy in daylight
- Autofocus tracking is excellent for a compact
- 4K video with a microphone input
What to weigh up
- 1-inch sensor trails the APS-C picks in low light
- Small buttons and deep menus take learning
- Expensive for the sensor size you get
Best pocketable street camera
Ricoh GR III
The GR III does one thing brilliantly: it puts an APS-C sensor and a sharp 28mm equivalent f/2.8 lens into a body you can genuinely forget is in your pocket. Snap focus lets you preset a distance and shoot instantly, the shutter is near-silent, and a built-in ND filter helps in bright conditions.
It is a specialist tool, though. There is no zoom, no viewfinder, and video is limited to Full HD — so if you also want to shoot clips, look elsewhere. Sensor dust is a long-standing grumble with this design, so keep it in a case rather than a linty pocket.
What we like
- APS-C image quality from a truly pocketable body
- Snap focus makes zone focusing quick
- Discreet, near-silent shutter for street work
- Built-in ND filter for bright days
What to weigh up
- Fixed 28mm lens — no zoom whatsoever
- No viewfinder of any kind
- Video capped at Full HD
- Sensor dust can become an issue over time
Best for enthusiast photographers
Fujifilm X100VI
The X100VI is the camera here that people fall in love with. A 40MP APS-C sensor, a 35mm equivalent f/2 lens, in-body stabilisation and that hybrid viewfinder you can switch between optical and electronic. The dial-led body and film simulation modes make it a pleasure to shoot rather than a chore.
It is also the heaviest and most expensive of the five, and the fixed 35mm lens will not suit everyone — it is lovely for people and street scenes, less so for landscapes or wildlife. Stock has been patchy since launch, so it is worth checking availability before you set your heart on one.
What we like
- Hybrid optical/electronic viewfinder is a joy to use
- 40MP APS-C sensor with in-body stabilisation
- Dial-led controls and superb film simulations
- Weather-resistant once you fit a filter adapter
What to weigh up
- Heaviest and priciest of the five
- Fixed 35mm equivalent lens is a love-it-or-not choice
- Availability can be patchy
Best for vlogging
Canon PowerShot G7 X Mark III
The G7 X Mark III is built around video without ignoring stills. The 24-100mm lens stays bright at f/1.8-2.8, the screen flips up to face you, and there is a microphone input plus the ability to stream live straight to YouTube. In a small bag it takes up barely more room than a paperback.
The trade-offs are no viewfinder and autofocus that is not quite as dependable as the Sony's when subjects move. Battery life is modest, so budget for a spare. For stills it is a perfectly capable 1-inch compact; for talking-to-camera work it is the easiest of the five to recommend.
What we like
- Bright f/1.8-2.8 lens for a 1-inch compact
- Flip-up screen and mic input suit vlogging
- Can stream live to YouTube directly
- Small and light enough for a everyday bag
What to weigh up
- No viewfinder
- Autofocus less dependable than the Sony's on moving subjects
- Battery life is modest — carry a spare
Best travel zoom
Panasonic Lumix TZ200
If your holidays involve castles on hillsides and wildlife at a distance, the TZ200's 15x 24-360mm zoom is the reason to pick it. It packs a 1-inch sensor, a pop-up electronic viewfinder, a proper grip and 4K video into something that still fits a coat pocket.
The catch is the aperture, which closes down to f/6.4 at the long end — fine outdoors, less so as the light fades. It is also an older design than the others here, so it is worth confirming it is still on sale before you commit. Judged as a travel companion rather than an image-quality champion, it still makes a lot of sense.
What we like
- 24-360mm range covers wide scenes and distant detail
- Pop-up viewfinder plus touchscreen control
- Comfortable grip for a pocket camera
- 4K video and 4K photo modes
What to weigh up
- Aperture narrows sharply towards the long end
- An older model, so check availability
- Small sensor next to the APS-C picks
What matters when you choose
- Sensor size
- 5.0 / 5
The biggest single influence on low-light quality and background blur. A 1-inch sensor is fine; APS-C is noticeably better.
- Zoom range
- 4.0 / 5
Only worth paying for if you actually shoot distant subjects. Fixed-lens compacts trade zoom for image quality.
- Viewfinder
- 4.0 / 5
A viewfinder transforms framing in bright sun. Two of these five have none, so try before you buy.
- Pocketability
- 4.5 / 5
The best camera is the one you take with you. Measure against your actual jacket or bag.
- Video and mic input
- 3.0 / 5
Weight this heavily if you vlog; otherwise treat it as a bonus rather than a deciding factor.
Beyond the spec sheet, three things separate a camera you love from one that sits in a drawer:
- Handling. Small is good until it is too small. Try the grip and the dials in person if you can.
- Battery life. Compacts run on small batteries and there is no bigger one to fit. Buy two spares and a small charger.
- Charging. Most current compacts charge over USB, which means one cable for your phone and camera on a trip — worth checking before you travel.
Ignore megapixel counts. Anything here is more than enough for prints and social media; sensor size and lens quality matter far more.
Fixed lens or zoom? The trade-off that decides everything
A fixed lens is not a limitation so much as a design choice. By building one lens and one sensor around each other, Ricoh and Fujifilm can fit a much larger sensor into a much smaller body. That means cleaner files indoors, more control over background blur and, in the Fujifilm's case, a viewfinder you can actually see through.
The price is flexibility. With a 28mm or 35mm equivalent lens you cannot reach across a street or pull in a detail on a hillside. You either move, crop, or accept a different photograph. Many photographers find that constraint makes them better; plenty find it maddening. Be honest about which camp you are in before you spend the money.
Zoom compacts work the other way round: the RX100 VII and TZ200 give you range, but they use smaller sensors and lenses that slow down as you zoom in. If most of your photography happens indoors, in the evening or in British winter light, the fixed-lens cameras have a real advantage.
Matching the camera to how you shoot
Think about your last hundred photographs rather than your ideal ones.
- Mostly days out, holidays and family — the RX100 VII covers the widest range of situations without asking you to choose.
- A camera in your bag every day, city streets, documentary — the Ricoh GR III is the one you will actually have with you.
- Slow, deliberate photography and a love of dials — the Fujifilm X100VI rewards that, and its film simulations mean you can share JPEGs straight from the camera.
- Talking to camera, tutorials, travel vlogs — the Canon G7 X Mark III is designed around exactly that.
- Coach tours, wildlife from a safe distance, big landscapes — the Panasonic TZ200's long zoom earns its place.
One more consideration for UK buyers: compact cameras hold their value reasonably well, particularly the Fujifilm and Ricoh, so buying carefully and selling on later is a realistic option if you change your mind. Check that the model you are looking at is the current version before ordering, and buy from a retailer with a clear returns policy so you can test the handling at home.
Our verdict
Frequently asked questions
Is a compact camera still worth it when phones are so good?
For wide, well-lit snapshots a modern phone is hard to beat. A compact earns its place when you need optical zoom, a viewfinder, better low-light files, physical controls or a microphone input — things phones either lack or simulate less well.
Do compact cameras have viewfinders?
Some do. The Sony RX100 VII and Panasonic TZ200 use pop-up electronic viewfinders, and the Fujifilm X100VI has a hybrid optical/electronic finder. The Ricoh GR III and Canon G7 X Mark III rely on their rear screens alone.
Can I use a compact camera for vlogging?
Yes, and the Canon G7 X Mark III is designed for it with a flip-up screen, microphone input and live streaming. Check for a mic socket and a screen that faces you, since both matter more than sensor size for talking-to-camera work.
How many batteries will I need?
At least two. Compact cameras use small batteries and there is no larger optional battery, so a spare or two plus a small USB charger is the cheapest insurance against missing a shot on a day out.
Will a compact camera fit in a jeans pocket?
The Ricoh GR III will, comfortably. The Sony RX100 VII and Canon G7 X Mark III fit a jacket pocket or small bag, while the Fujifilm X100VI and Panasonic TZ200 are better suited to a coat pocket or a small shoulder bag.



